HS5

yine yarrak kurek cevaplar atmislar, dostum gel anlatayim. butceye gore mevzu cok degisir malum referans da kullaniyosun zaten. hatta tek mi yapacan cift mi yapacan o bile cok seyi degistiriyo ayni marka olsa dahi, ama biraz gundelik+referans kullaniyosun gibi anliyorum yazdigindan. ondan bi kac one

Monitoring is EVERYTHING when trying to get a pro sound. The first time I sat in front of my Neumann KH 120 II, moving from Yamaha HS5, I was blown away by how easy it was to find what I was looking for in my mixes. If you can’t get a polished sound, it’s usually because of masking. If you can’t fin

I run a focusrite solo, ableton as my DAW, Yamaha HS5 monitors, akg k240 headphones, and use STL tones amphub for my simulations. It's a fun setup and can do just about everything

Yamaha HS5’s are within budget and a nice sounding set of monitors. If he wants to later on, he could also add the matching Yamaha sub to them for more bass. I use their bigger brothers l, the HS8. Whilst neither the HS8 or HS5 is truly a ‘reference’ speaker (a speaker with a very flat response curv

That’s over the top for a stage piano, Yamaha hs7, or even hs5 are plenty good enough for this

They do me too I have a pair of hs5 Yamahas and they suck sooo badly in comparison lmfao 🤣 The prophecy 1s are the best bookshelves we have ever made but they are all passive now we don’t really do to much active stuff anymore

Start with one solid hub. A usb audio interface with at least two mic pres and extra line inputs solves most of this. look at focusrite 4i4, motu m4, or audient id14 with an extra line input box. Install proper asio drivers. In ableton set 48k sample rate and a 128 buffer and your latency headache d

I have the 2i2 Gen3 myself. Love it. I run it from a MacBook Pro, with balanced line-outs to Yamaha HS5 Monitors. I also have Sony MDR-7506 Monitor Headphones plugged in to it and find the monitoring combo to be really good. I recently added a Shure SM7B cardiod mic to the Scarlett, although between

FRFR should also be "flat and true", it's in the name after all - Full Range Flat Response. I personally use a Headrush FRFR-Go for home use, and an FRFR112 for gig volume - using the Aux In on the FRFR-Go or the second XLR input on the FRFR112 to sum the stereo output back into the one speaker. Tha

Inline eq would be the easiest and cheapest option. Bypass button is a must so you can swap back to flat without changing all your settings every time. The Yamaha tweeter is intentionally bright for mixing (producing not djing). It's meant to help you catch all the little details you might miss othe