X-H2S

I’ve got a Fujifilm X-H2S that I’ve been shooting on for a few years too now, and my experiences differ quite a lot from yours. I absolutely love it and think it’s an underrated workhorse of a camera. I like how well it performs as a stills camera and video camera. I do admit there are drawbacks but

I own a GFX 100 II. The sensor is great for stills. But whyyyyyy is Fuji using a 100 megapixel photo sensor in this $16.5K camera. There is zero benefit to this slow-ass sensor in this application. If the big news here is 4K open gate, I can do that and more in so many other cameras for way cheaper.

Uso Fuji e sou fã do sistema, mas o comentário das fotos mais parece um clamor aleatório de um fanboy do que qualquer outra coisa, lotado de meias verdades e subjetividade. "Tecnologia de coras insuperáveis", "câmera didática", "aprender fotografia de forma correta" (seja lá o que é isso), "lentes d

Honestly the X-H2S is a great camera and in some ways has a better image/video specs than either Sony (open gate, 6K, ProRes or high data rate H265, great color). The biggest improvement you’ll notice is autofocus (Fuji AF is terrible) but the lenses are bigger and more expensive. If you do get a So

Neither. Amongst the Fuji's, the X-M5 is the rangefinder style body for you. The X-M5, X-S20, and X-H2 / X-H2S are the hybrid video cameras. They have a lot more options friendly to video stuff, including support for adding in fans to cool the thing down; better connectivity, etc. If you're really s

The X-H2S does have the ability to output BRAW too, and a lot of fuji shooters prefer to disable all in-camera denoising too because DaVinci does do a nicer job of it.

High-end crop sensor, i.e. north of $2,000 USD, is a hard sell. Even Fujifilm, the most successful crop sensor vendor, couldn't move X-H2 and X-H2S bodies when all of their other cameras were regularly out of stock. I also think Nikon was pretty successful in moving their higher-end DX DSLR customer

S-Log2 or HLG3 on the A7III since that camera is 8-bit. I used to shoot with it a lot, used it as a B cam on a few shoots with my Fuji X-H2S, and the S-Log2 from the A7III was easily matched to my F-Log2 footage. I've never shot with the A7IV so I don't know much about how well its codec and sensor

I use an X-H2s for video, but am primarily a stills shooter for weddings. So my video experience has been limited to smaller engagements or elopement type stuff. I do a mix of AF/MF. But here's things that stand out to me: For AF, I usually just leave it at +3 sens, -1 speed, and alternate between t

It's too expensive and feels abandoned by Fujifilm in terms of video, its missing features like waveforms that they added to the GFX 100 II, still suffers from poor video autofocus even on the latest firmware and the FX30 just makes way more sense for a working professional or somebody primarily sho