X-H2S

I have owned a camera from almost every system being produced but I always find myself drawn back to Olympus M43 cameras. I have a Fujifilm XH2S but I seem to prefer my Olympus OM-D E-M5 Mark III, to the point that I'm seriously considering selling my Fuji kit to get an OM-1. It's so sad how Olympus

I worked as a photographer for ~40 years. In 2013 I switched from Canon FF to Fujifilm, because I needed lighter weight equipment to continue to be physically able to work. The early Fuji cameras had fine image quality but terrible autofocus and user interfaces. But those things improved and the ima

I’ve got a Fujifilm X-H2S that I’ve been shooting on for a few years too now, and my experiences differ quite a lot from yours. I absolutely love it and think it’s an underrated workhorse of a camera. I like how well it performs as a stills camera and video camera. I do admit there are drawbacks but

I sold X-H2s for S5IIX and have no regrets. I now have S9, S5IIX & S1II for the range of work I do and I love them. S9 is so fun. S5IIX is my beater. S1II is my serious work camera. I think they’re the best option for hybrid shooters for sure!! I still have my X-T4 but any time I use it it’s like ta

I own a GFX 100 II. The sensor is great for stills. But whyyyyyy is Fuji using a 100 megapixel photo sensor in this $16.5K camera. There is zero benefit to this slow-ass sensor in this application. If the big news here is 4K open gate, I can do that and more in so many other cameras for way cheaper.

I own the Fujifilm X-H2S, GFX 50S II, and the Ricoh GR IV. In my opinion, Ricoh’s color science delivers a much more authentic 'film look' than Fuji. Since Ricoh doesn't market it as aggressively, people act like Fuji invented this whole aesthetic. If you’re shooting SOOC, Ricoh is the way to go. Yo

I’ve worked with the FX3, BMPCC6K - every camera has its pros and cons, none are objectively better as a whole. For instance the X-H2S is way better as a stills camera as compared to the aforementioned cameras, but the FX3 has better low light performance shooting video. My point still stands that t

Professional photographer here, who covered pro sports for Getty Images. As a freelancer covering NFL games, I was responsible for buying my own equipment and so I was stuck on an f4 lens for a long time, even covering indoor and night games. There's a few things to consider when talking about spend

I did not spend much time using manual focus lenses before the M11. I slapped a Helios 44-2 and a speed booster on my Fujifilm XH2S (sold) back when that lens was all the rage. I loved the results, but found the focusing process on the XH2S a bit finicky. It could have been the focus peaking, and it

Fujifilm XH2S paired with the Tamron 150-500, very good indeed