a7R II

I 2nd this. Buy an old Sony Nex or Fuji mirrorless and slap a vintage Nikon or Canon MF lens on it from the 70s-80s via a $9 adapter. When i bought my A7Rii new a decade ago, I didn't have the money for the 1st party lenses available and so I exclusively used Fujica and Minolta SR mount lenses for t

I have an MD 50mm f/1.2 and its plenty sharp when used on my Sony a7R II: https://flic.kr/p/2njCnmj

I had several film scanners in the past - among them a Nikon Coolscan 8000, a Reflecta MF5000 and last but definitely not least an Imacon Flextight 646 (good old times around 2010, when professionals sold their equipment dirt cheap, because they all switched from film to digital). I sold the Imacon,

Sony a7rii with a canon 200-400mm zoom lens. It's a beast to lug around with the adapter but I love the extra reach on the zoom.

I have beaten this drum to death by now but I went A7R2 -> Z7II w/Viltrox E-Z for about 4 months. Mid June sold the Z7II for a Z8. I shared your sentiment for disdain towards spending a metric ton just to shoot decent FPS on Sony, not to mention CFe A vs B. Ultimately it was a mix of that, having to

I own a handful of cameras. Next to Leicas M2 and M5 also Nikon F2AS, Hasselblad 501CM, Rolleiflex 3.5E and a ShenHao 4x5. My only digital camera (next to my cell phone), is a Sony from the A7RII. I have not used the Sony for real photography for two or three years, it has been demoted to film scann

Je te comprends. Je suis passé de MFT (Olympus) à FF (Sony), puis retour à MFT (Panasonic) pour la compacité, et là je suis en APSC (Fuji) qui est je trouve un bon compromis qualité/encombrement (mais j'ai énormément hésité à revenir vers Sony). Le passage d'Olympus à Sony a apporté énormément pour

I've had the Z7ii and Z8 for an equal amount of time this year by now. The previous generations AF is fine for most non fast moving stuff but the way the new gen AF works is just different. It's so much more reactive and sticky that its hard to put into words. Expeed6 gets an awful lot of slack and

Agree, my current set up consists in a Sony a7rii (which I picked up on eBay for really cheap) and a vintage Vivitar 55mm f2.8 macro with the Valoi Easy35 v1 and the results are mind blowing!

Lovely set, keep doing this. Mark’s post-production relies heavily on the fact that he’s shooting Sony. There’s a TON of shadow retention in Sony sensors, and you can push them in post to a much higher degree than Canon, probably Nikon as well even though some of those bodies use Sony sensors. That’