Cinema Line FX30

So as someone who’s owned the A7iii, A7iv & Fx30; as well as I currently own the A7S iii, Fx3 & I just picked up the Fx2 I would say the Fx2 is a really good starter. It’s essentially an A7iv or A7C ii in a cinema line body. Truthfully I don’t shoot 4k 120 often and I do a lot of commercial and docu

Hey, I’m on fx30 with a rig and audio equipment invested into the ecosystem at this point too— first off congrats for looking into the fx line. They really are special cameras and you can’t go wrong with any of them. First off I’ll explain that s-cinetone is actually just a picture profile preset, w

A cinema-line Sony body from the FX6 on up in my experience are only ever needed on jobs that eclipse a certain budget or that require the camera to have a certain 'look'. While that may sound silly it is usually the determining factor for me whether I bring a mirrorless-design cinema body vs a full

The "I" Codec give you completely uncompressed footage so, inherently, it has the most detail and sharpness, period. That said, it also produces absolutely massive files. We're talking about like 13 mins of footage for something close to 7 or 10gb. Works super well in editors, since it's uncompresse

Oh well if that’s the case, buy him an fx30 and get him in divinci resolve. That way, when he’s my age he doesn’t have to spend months learning how to film before starting his own YouTube channel! I’m all for child labor, but it’s of style these days for some reason. So I can’t offer him a job. (Fx3

zv e10 - gyroscopic data, pwede magstabilize with catalyst browse unlike a6400 - fully articulating screen, good for selfies/selfie vlogging and monitoring video at odd angles. a6400 only has tilt screen - no pop-up flash pero pwede mo naman kabitan sa hot shoe - wala lang evf saka weather sealing t

I'm actually using the OG BMPCC and Micro Cinema cameras (I have two of those), so my speedbooster wouldn't work on your camera. I also have a Sony FX30, which is Super 35/APS-C, and I actually use a Metabones speedbooster on that as well, mainly because I have full-frame lenses apart from the Sigma

Yo la compré hace aproximadamente unos 20 días, si sabes lo que estás haciendo, en efecto es una cámara de Cine de Súper 35mm, si no vas a escuchar todo tipo de quejas. Tiene 4K DCI desde 24 hasta 60 fps, no tiene false color pero es algo que se puede solucionar fácilmente con monitoreo externo. Por

I bought the FX30 because of the crop sensor. Tons of lenses to play with. Being a cinema camera, the quality is excellent and in low light with a great lens you are set as well. These cameras are the pro line of Sony. They are made to last “forever” with good care. But you only keep lenses forever.

Personally I think the z50 mkii is a more compelling offer. The z mount is a more versatile mount so you can get a ton of different lenses, and Nikon has a great path to upgrade to internal raw shooting cinema cameras down the line if you decide to upgrade. Sony is a great system too, don’t get me w