Cinema Line FX30

Don't know exactly if any other brands necessarily "match well" with Slog 3, but if i could make a recommendation I would tell you to consider investing in a Color Chart such as those from X-Rite or Datacolor. I bought a Datacolor SpyderCheckr a couple of years ago and it's AMAZING for getting a goo

For wedding photography I think you'd be better off keeping the FX30 as your A camera, especially if you rely on autofocus. The main advantage with the BMPCC 4K is the better flexibility for grading: I have an FX30 as well and while the footage is much more flexible than I feared (in terms of adjust

I match Osmo Pocket 3 (DLog-M) with Sony (SLog 3) FX6, FX3, FX30 all day every day. Matches great.

Well, let's say after having worked with raw footage I find it really frustrating to not have raw... So I'm eyeing the Nikon ZR. I wish Blackmagic would make a 4K S35/APC small format camera. I have access to a lot of cameras, and I have been enjoying the form factor and the autofocus on the FX30, b

Hey, I’m on fx30 with a rig and audio equipment invested into the ecosystem at this point too— first off congrats for looking into the fx line. They really are special cameras and you can’t go wrong with any of them. First off I’ll explain that s-cinetone is actually just a picture profile preset, w

If you're shooting the BMPCC 6K the more obvious parallel in the Sony world would be the FX 30, not the FX3. It's half the price of the FX3 but same form factor, it's just APS-C instead of full-frame. It has the same cinema features (shutter angle vs. shutter speed, Cine-EI exposure system for shoot

Yo! I would go a6700. Like you said: 10 bit color so grading is fun. It feels compact but not cheap or anything like that. It has the same sensor as the Fx30 from Sony's cinema line so the footage looks great. It is weather sealed, so while I would still be very careful with it - it's "supposed to"

Based on your question, you said you are looking to add a dedicated video/cinema camera with good low-light performance. Personally I think adding the FX3 while also having the A7IV are a great pairing. I have an FX3 + A7CII (released between A7IV and A7V tech), and I like having a dedicated video/c

Hi u/Horror_Ad1078 Good questions. A few honest specifics on FX30 RAW vs internal. First, the noise reduction gets skipped entirely with RAW since it's part of the in-camera processing pipeline that RAW bypasses. So RAW footage has zero NR baked in, more control in post but can look noisier straight

I understand a bit more where you're coming from, I bought an FX30 a few months ago as a B-cam, kind of bummed I couldn't afford an FX3 / A7SIII. I would've leaned towards the A7SIII bc I'm a hybrid shooter but in the end I'm glad I got my hands on an FX camera. I can't explain why or how but it is