Alpha 7R V Full-frame Mirrorless Interchangeable Lens Camera

The OM-3 is absolutely NOT a novelty camera. It is the one I reach for first out of all my 6 cameras (3 x Oly and 3 x Sony) and can do things my Sonys can only dream of. That said it is horses for courses and it depends on what, when and how you are shooting something. For street and travel the Om-3

This is the usual PoV of a FF user who hasn't used M43 and really has no idea what he's talking about. He is basically repeating internet rhetoric that he hasn't bothered to explore. Ask him which M43 cameras & lenses he's used? If you want an unbiased PoV then check out the numerous Wedding photogr

I just upgraded from a Sony a7Riii to a7RV and what a difference! I know they aren't the go to for sports but I like motorsports and they do me well at the track while still working great for all the other stuff away from the track. The auto focus alone on the A7RV is worth the upgrade. It picks up

If you mean for video, I'm using an A7RV (note "R", so not the A7V) for B-Cam because sometime in early summer last year DJs decided everything needs multicam. I bought the A7RV as my main photo camera to replace my Nikon D750 - after buying an FX3 for video it seemed daft to run two lens systems, a

You answered your own question. It’s used on every single photo shoot and I have never seen LR or phocus used in over 1000+ on set. I’ve heard that C1 struggles with large catalogs but as someone that makes one every year with like 20-25k images never been a problem. I can understand why a wedding o

Excellent summation. I also use both Sony (A7r5) and OM (OM1 & OM3) and 95% of the time I pick up the cameras in the order = OM3, OM1, A7r5, A6000 (IR). People need to consider what they use their photos for (social media, forums, family, small prints (under say 100cms x 80cms) etc. even entering co

Sony a6700 and the a7R5 have the best autofocus on the market. Sony has put that autofocus capability in other cameras but they get very expensive. A zoom lens with ~600mm of zoom will not be light. The Sony 200-600 is excellent and Sony also makes a 2x teleconverter to extend the 600mm to 1200mm. S

My first theater shoot was Legally Blonde. I had similar struggles with the harsh stage lighting but eventually mastered it. As others say, prioritize exposing for the highlights as shadows are easy to raise in post. I use multi-metering with priority on faces (an option on my Sony gear, but not on

sony has the fastest autofocus on the planet and has backlit sensors to help with light - a7r v or a7 v would be good for you....I'd trade up to be honest (I just moved from sony to X2D v1 - though I do mostly landscapes and macro for a hash company so my needs are vastly different)

See I did it, I went Nikon to Lumix and ended back with Nikon. Yes open gate was nice, I used it 5 times in 18 months. The ibis was helpful but I have a gimbal for when I really need smooth footage besides that Im always on tripod or monopod. Autofocus is good now they have pdaf but I found for stil