HD 280 Pro

Personally, I still use the Sennheiser HD 410's I bought in 1983. However, my 410's use foam ear pads, so there can be some bleed over when using them in the studio. Given that, if I were to recommend a set of headphones for recording and general playing, it would be the Sennheiser 280. Decent price

Sennheiser HD 280 Pro is basically the only thing I've ever liked. I had the vic firth ones, but they just don't sound high quality. For buds, I use Etymotic ER3SE. Both have a lot of attenuation. Both are transparent enough that I can set up mics while playing and have a decent idea of what I'm acc

Recording/tracking is normally done with headphones, not speaker monitors. https://www.sweetwater.com/store/detail/HD280Pro--sennheiser-hd-280-pro-closed-back-studio-and-live-monitoring-headphones I think these are the ones that were previously labeled as the HD-99's. Closed back, so good bass respo

Demo as many as you can. They can sound very different from each other and none of them are actually neutral. On that note, you will probably achieve the best mix translation by relying on two pairs of headphones, such as one for the highs and one for the lows, both with balanced mids. Even mixing e

Sennheiser HD 280 Pro. Perfect. Also blocks out wife and kids. No mic though.

I suggest never use sound canceling headphones when recording or editing audio. Get yourself some good old fashioned non-sound canceling cans and use your ears to your advantage. My current favorites are Sennheiser HD 280 Pro. I also never use blue tooth headphones for recording/edit.

I'm a big fan of Sennheiser headphones. When it comes to isolation, it doesn't get pickier than in a recording studio. Those mikes can be pretty sensitive and any leakage is going to come back to the engineer. That's why they ALWAYS use over-ear headphones. While the website recommends HD 490 Pro's,