Trio

I do, listening to a pair of Focal Trio 6s pair with an SVS Sb 1000 pro being fed with an RME ADI2 DAC as we speak. But it doesn't matter if I review it now because I've corrected it with DIRAC live and bass control using the Harman curve with a +6 db bass boost, I adjust the sub levels depending on

Good job on the studio! I think it's definitely treated well enough that it's time for a serious upgrade. I like the shortlist you have written down here, can't go wrong with any of them. In my search for upgrade candidates in a similar budget as yours (though I haven't bought them yet lmao) I ended

Just thinking about it makes me want to go back and see it all happen again. They have certainly earned my recommendation when it comes to bands asking about a great space to track at. In fact, 1979 is the reason I replaced my mains with Focal Trio 6’s. Being able to hear exactly what’s going on fro

At the top end of your budget you might be able to get a used pair of Focal Trio 6 Be, which I'm saving up for as my endgame monitors.

Your Chora 806's max SPL is ~109dB at 1m, and the Chora Center's max SPL is several dB higher. Separately, your 806s have a minimum impedance of 4.2 ohms, and the center dips to 3.8 ohms. Your Denon starts running out of gas at 6 ohms and is gasping for air at 4 — it is your problem. Your cheapest r

I understand. I've never used a zoom for weddings. I know for practicality it makes a lot of sense. But, I just never got on with zooms. I own one 28-70 for Leica R that is a great lens, but I just never used it. I've always done two bodies with different focal length primes, usually a wide and a no

Question about reducing noise for neighbor in apartment? Moving into an apartment, and I have this pair of these incredible focal trio 6 monitors. I absolutely love them for listening to music and also creating music. They are huge, fairly bass-y but not as much as a sub. I typically use them at a m

Running a Kemper unpowered rack unit in my home studio. The main outputs from the kemper run into a couple inputs to my audio interface (UAD Apollo X6), which eventually spit out to my studio monitors (Focal Trio 6, Auratone mix cubes, Presonus 3.5). Outside of the initial investment into the Kemper

What you guys are missing is that the ns10's are meant to be used with a second pair of monitors. that's the ns10 workflow and its an amazing way of working. it completely changed my music. It took me quite a bit of time and experience to figure that out. You need a second pair of monitors that act

Awesome! Those are Focal Trio 6's right? How do you like them? 😁