s5ii

I have an S5ii and Pocket 6K Pocket 6K Pros: Great Recording Formats Direct to SSD Recording Mini-XLR Inputs Wonderfully Intuitive Menus Cons: Garbage Battery Life No EVF Port Covers Awful Cheap Plasticky Build Quality Smaller Sensor Panasonic S5ii Pros: Great Build Quality Good IBIS Larger Sensor G

The S5II kit 20-60 isn't the sharpest wide open. It also isn't the fastest. The difference in DOF between Full frame and MFT is 2 stops of aperture. A Panasonic 10-25 F1.7 would actually give you a shallower depth of field and more light than the 20-60. But that is a big expensive lens, and the GH7

It's not only a problem of oversharpening, it's mainly a problem of detail filtering and temporal noise reduction.It can be fixed by a firmware update yes, but Panasonic never fixed it on the S5II and S5IIX.

okay quindi in condizioni di scarsa luce tentenna molto l'AF della Lumix s5ii, è ottima per i video ma mediocre per le foto "in discoteca".Con la DSRL che tipi di AF utilizzi?E' capace di mettere a fuoco anche spostando il punto singolo AF al di fuori del raggio rosso?Il 3D tracking AF lo usi?Comunq

I bought an S5ii and two lenses (sigma 45 f2.8 and the Panasonic 16-35 s f4) I’m debating stranding them on mkb since none of the lenses really can deliver on the look I can get from the 10-25 f1.7 with a G9ii. Yes, I can shoot a higher iso, but when working professionally, that is never an issue si

I have the Scorp 3 using a Panasonic S5iiX but it doesn’t have all the support that the Sony cameras have like shutter aperture iso control and I think Sony has tap to focus or something like that but it’s a good gimbal I just can’t use all of the features sadly. The Ai camera tracking works amazing

Yup.. i have done that. it's simply down to the software inside this camera, panasonic used more aggressive noise reduction for the s5ii. it's an easy fix for the lumix team with a future firmware update

Hi everyone, I’m currently shooting wedding videos with a Fujifilm X-S20. While I love the "soul" and the user experience of the Fuji system, I’m finding myself increasingly frustrated. The autofocus struggles in some of the darker reception scenarios, and the high ISO performance is really starting

It's a decent camera for videography. Many professional videographers used that camera and some still do today. However it is old now. I would say the AF is the main limitation. You have to use manual focus for everything. For candid videography for example you would need a follow focus rig, but eve

I think the ISO behavior on the Panasonic S5II in V-Log is different from Sony. The native ISOs in V-Log are 640 and 4000. Going above 4000 quickly increases noise, so filming at 8000 or 12800 won’t be less noisy than 6400