TYPE 30 MK2

I recently upgraded from Adam A8X to HEDD Type 30 Mk II. They’re excellent. More detailed, better depth and imaging (I can finally hear my reverb tails!), flatter frequency response, way wider sweet spot. The amount of options - desk filter, closed/ported option, LFE, eq, linerariser - makes them ve

That’s a expensive question, I currently use Ableton suite. But consistent with Ableton Logic Pro bitwig reason and cubase (choose one you love) that’s why I ended up sticking with Ableton for the styles of music I produce, but only after becoming proficient with them all. Currently I only use a gen

I was looking into the kh120 also but decided to go with aps klasik 2020. They go lower, translate really well and I didn't like that Neumann forces you to get their measurement mic just to use the dsp system. Hedd audio does some nice monitors as well :)

ADAM's monitors are very good when they work, but are practically impossible to have repaired. I've been to countless studios that have dead ADAM (A series) monitors collecting dust because they simply cannot be repaired by anybody - I occasionally see some dead KRK speakers in smaller project studi

I'm looking for new monitors for my studio. I mainly want to use them for mixing and mastering, but also for production; the focus should be on linearity and translation. I want to spend less than 6k for the pair. I'm happy to buy second-hand. I currently have the Adam T8V with the T10S. The setup s